Universität Wien

1. Alternative Required Modules (APM)

M01 APM 1
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160012 UE Texts by composers of the 20th and 21st century - (reading course)
160013 EX Leipzig as a city of music
160015 SE Utopias. Topics and perspectives in current Beethoven research
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet
160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception
160061 UE Singing Mensural Notation - Reflecting Performance Practices
160062 SE Biographies of composers and musicians: questions and problems
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160069 UE [en] Analysing Popular Music
M02 APM 2
160022 EX Field trip to Madagascar
160024 VO The music of Madagascar and the Mascarene Islands
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160042 VO Music preferences: Development, functions and measurement across the lifespan
160044 VO Introduction to Music Traditions of the Mediterranean Island of Crete
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160057 SE SE Ethnomusicology
160069 UE [en] Analysing Popular Music
M03 APM 3
160011 SE Music around 1900
160012 UE Texts by composers of the 20th and 21st century - (reading course)
160013 EX Leipzig as a city of music
160015 SE Utopias. Topics and perspectives in current Beethoven research
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160024 VO The music of Madagascar and the Mascarene Islands
160027 VO Music -Today as Manipulation and Play with Sounds and their Meaning
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160042 VO Music preferences: Development, functions and measurement across the lifespan
160044 VO Introduction to Music Traditions of the Mediterranean Island of Crete
160048 SE Movements of musicians in production and perception of music
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception
160057 SE SE Ethnomusicology
160062 SE Biographies of composers and musicians: questions and problems
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160069 UE [en] Analysing Popular Music
M04 APM 4
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160012 UE Texts by composers of the 20th and 21st century - (reading course)
160013 EX Leipzig as a city of music
160015 SE Utopias. Topics and perspectives in current Beethoven research
160024 VO The music of Madagascar and the Mascarene Islands
160026 UE Qualitative research methods in musicology
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160042 VO Music preferences: Development, functions and measurement across the lifespan
160044 VO Introduction to Music Traditions of the Mediterranean Island of Crete
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception
160057 SE SE Ethnomusicology
160061 UE Singing Mensural Notation - Reflecting Performance Practices
160062 SE Biographies of composers and musicians: questions and problems
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160069 UE [en] Analysing Popular Music
M05 APM 5
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160012 UE Texts by composers of the 20th and 21st century - (reading course)
160013 EX Leipzig as a city of music
160015 SE Utopias. Topics and perspectives in current Beethoven research
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160024 VO The music of Madagascar and the Mascarene Islands
160026 UE Qualitative research methods in musicology
160027 VO Music -Today as Manipulation and Play with Sounds and their Meaning
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160042 VO Music preferences: Development, functions and measurement across the lifespan
160048 SE Movements of musicians in production and perception of music
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception
160057 SE SE Ethnomusicology
160061 UE Singing Mensural Notation - Reflecting Performance Practices
160062 SE Biographies of composers and musicians: questions and problems
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160069 UE [en] Analysing Popular Music

Last modified: Tu 12.06.2018 13:33