1. Alternative Required Modules (APM)
160011 VO Music History 1
160055 VO Viennese Music History 1600-1900
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160049 UE Editing Early Music
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160052 UE Orlando di Lasso: aspects and questions
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160034 SE Mozart's operas and 'Singspiele'
160056 PR Archive and library science
160033 VO Afro-American music forms
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
160047 VO Music and emotion
160033 VO Afro-American music forms
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160033 VO Afro-American music forms
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
Last modified: We 13.06.2018 00:40