Universität Wien

M05 APM 5

160009 SE The Masses of Heinrich Isaac

160011 SE Music around 1900

160012 UE Texts by composers of the 20th and 21st century - (reading course)

160013 EX Leipzig as a city of music

160015 SE Utopias. Topics and perspectives in current Beethoven research

160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)

160024 VO The music of Madagascar and the Mascarene Islands

160026 UE Qualitative research methods in musicology

160027 VO Music -Today as Manipulation and Play with Sounds and their Meaning

160029 VO Female composers of the presence

160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries

160033 VO African Music I

160034 SE Soundtrack as a political statment

160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet

160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities

160042 VO Music preferences: Development, functions and measurement across the lifespan

160048 SE Movements of musicians in production and perception of music

160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.

160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception

160057 SE SE Ethnomusicology

160061 UE Singing Mensural Notation - Reflecting Performance Practices

160062 SE Biographies of composers and musicians: questions and problems

160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.

160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)

160069 UE [en] Analysing Popular Music

Last modified: Th 07.04.2022 01:43