Universität Wien

16.01. Musicology

Information and instructions for course registration can be found at:
http://musikwissenschaft.univie.ac.at/studium/anmeldung-zu-lehrveranstaltungen/
bzw. http://studentpoint.univie.ac.at/durchs-studium/anmeldesystem/

A [3]. Bachelorstudium Musikwissenschaft (Version 2016)
Pflichtmodulgruppe Studieneingangs- und Orientierungsphase
STEOP1: Grundlagen der Musik (Pflichtmodul)
EXAM STEOP: Principles of Music
160001 VO Principles of Music
STEOP2: Orientierung Musikwissenschaft (Pflichtmodul)
EXAM STEOP: Survey in Musicology
160002 VO Survey in Historical Musicology
160003 VO Overview of Systematic Musicology
160004 VO Orientation of Ethnomusicology
Pflichtmodulgruppe Wissenschaftliches Arbeiten und Schreiben
ARB: Arbeitstechniken (Pflichtmodul)
160025 UE Work Techniques in Musicology
PRO: Proseminare (Pflichtmodul)
160007 PS Beethoven's piano sonatas
160012 PS "Dedicated" Music
160041 PS Introduction to ethnomusicological gender studies
160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
160064 PS Performing Arts in Bali
BAC: Bachelorseminare (Pflichtmodul)
160009 SE Politically motivated motets of the 15th & 16th century
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160022 SE Music and Trance
160029 SE Double respectively multiple talented artists
160034 SE Mozart's operas and 'Singspiele'
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160057 SE Biographies of composers from four centuries in films and musicals
160065 SE Sound and Movement
Pflichtmodule
TON: Tonsatz und Analyse (Pflichtmodul)
160035 UE Harmony I
160036 UE Harmony II
160037 UE Introduction to Music Analysis
HIS: Grundlagen der Historischen Musikwissenschaft (Pflichtmodul)
160014 VO Principles of music after 1600
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
MUG: Musikgeschichte (Pflichtmodul)
160011 VO Music History 1
ETH: Ethnomusikologie (Pflichtmodul)
160066 VO Introduction to Ethnomusicology
160021 UE Ethnomusicological exercise
SYS: Systematische Musikwissenschaft (Pflichtmodul)
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
POP: Populäre Musik (Pflichtmodul)
160024 VO Introduction to Popular Music (Theories, approaches etc.)
Wahlmodulgruppe
HIS-V1: Vertiefung Historische Musikwissenschaft - Musik vor 1600 (Wahlmodul)
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
160011 VO Music History 1
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160049 UE Editing Early Music
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
160052 UE Orlando di Lasso: aspects and questions
HIS-V2: Vertiefung Historische Musikwissenschaft - Musik nach 1600 (Wahlmodul)
160055 VO Viennese Music History 1600-1900
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160007 PS Beethoven's piano sonatas
160012 PS "Dedicated" Music
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160056 PR Archive and library science
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
ETH-V: Vertiefung Ethnomusikologie (Wahlmodul)
160023 VO Music of the World - Overview I
160039 VO [en] Music of Central Asia
160038 UE Transcription
160040 UE Transmission of the traditional japanese music
160064 PS Performing Arts in Bali
160041 PS Introduction to ethnomusicological gender studies
160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
SYS-V: Vertiefung Systematische Musikwissenschaft (Wahlmodul)
160047 VO Music and emotion
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160048 UE Test theory and test construction for musicologists
160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
160027 VO Music in medial Embracement and its Future
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
POP-V: Vertiefung Populäre Musik (Wahlmodul)
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
INT: Musikwissenschaft interdisziplinär (Wahlmodul)
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160026 UE Current State of Musicology
160041 PS Introduction to ethnomusicological gender studies
PRX: Praxisfelder der Musikwissenschaft (Wahlmodul)
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160044 PR Principles of audio engineering - Pathology of the ear
160045 PR Microphone practice for musicologists
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160060 PR Applied Music Production
FRE: Freies Vertiefungsmodul (Wahlmodul)
A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160001 VO Principles of Music
160025 UE Work Techniques in Musicology
B01.2 StEOP: Introduction to Musicology
160002 VO Survey in Historical Musicology
160003 VO Overview of Systematic Musicology
160004 VO Orientation of Ethnomusicology
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
160035 UE Harmony I
160037 UE Introduction to Music Analysis
B02.2 Module - Music Theory and Musical Structures II
160036 UE Harmony II
160038 UE Transcription
B03 Basic Module - History of European Music before and after 1600
160011 VO Music History 1
160014 VO Principles of music after 1600
160055 VO Viennese Music History 1600-1900
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160052 UE Orlando di Lasso: aspects and questions
160007 PS Beethoven's piano sonatas
160012 PS "Dedicated" Music
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
B04 Basic Module - Ethnomusicology
160066 VO Introduction to Ethnomusicology
160023 VO Music of the World - Overview I
160039 VO [en] Music of Central Asia
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160021 UE Ethnomusicological exercise
160038 UE Transcription
160040 UE Transmission of the traditional japanese music
160041 PS Introduction to ethnomusicological gender studies
160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
160064 PS Performing Arts in Bali
B05 Basic Module - Systematic Musicology
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160048 UE Test theory and test construction for musicologists
160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
B06 Basic Module - Contemporary Music and Popular Music
160024 VO Introduction to Popular Music (Theories, approaches etc.)
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160023 VO Music of the World - Overview I
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
B07 Basic Module - Source Study, Source Work and Source Criticism
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160052 UE Orlando di Lasso: aspects and questions
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160056 PR Archive and library science
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
B08 Final Module
160012 PS "Dedicated" Music
160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
160064 PS Performing Arts in Bali
160007 PS Beethoven's piano sonatas
160022 SE Music and Trance
160065 SE Sound and Movement
160009 SE Politically motivated motets of the 15th & 16th century
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160029 SE Double respectively multiple talented artists
160034 SE Mozart's operas and 'Singspiele'
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160057 SE Biographies of composers from four centuries in films and musicals
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
160011 VO Music History 1
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160052 UE Orlando di Lasso: aspects and questions
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
B10 VM History of European Music after 1600
160055 VO Viennese Music History 1600-1900
160014 VO Principles of music after 1600
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160007 PS Beethoven's piano sonatas
160012 PS "Dedicated" Music
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160029 SE Double respectively multiple talented artists
160034 SE Mozart's operas and 'Singspiele'
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
B11 VM Ethnomusicology
160066 VO Introduction to Ethnomusicology
160023 VO Music of the World - Overview I
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160039 VO [en] Music of Central Asia
160021 UE Ethnomusicological exercise
160038 UE Transcription
160040 UE Transmission of the traditional japanese music
160041 PS Introduction to ethnomusicological gender studies
160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
160064 PS Performing Arts in Bali
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
B12 VM Systematic Musicology
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160048 UE Test theory and test construction for musicologists
160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
B13 VM Contemporary Music
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
B14 VM Popular Music
160023 VO Music of the World - Overview I
160024 VO Introduction to Popular Music (Theories, approaches etc.)
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
B15 VM Source Study, Source Work and Source Criticism
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160052 UE Orlando di Lasso: aspects and questions
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160056 PR Archive and library science
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
B16 EM Music and Society
160024 VO Introduction to Popular Music (Theories, approaches etc.)
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160012 PS "Dedicated" Music
160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
160029 SE Double respectively multiple talented artists
160023 VO Music of the World - Overview I
B17 EM Analysis and Theoretical Interpretation of Music
160027 VO Music in medial Embracement and its Future
160037 UE Introduction to Music Analysis
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160036 UE Harmony II
160034 SE Mozart's operas and 'Singspiele'
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160012 PS "Dedicated" Music
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
B19 EM Current Musicology
160024 VO Introduction to Popular Music (Theories, approaches etc.)
160015 UE Wonderful World of Musical Acoustics: Analysis
160026 UE Current State of Musicology
160018 UE Wonderful World of Musical Acoustics: Synthesis
B20 EM Applied Musicology I
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160049 UE Editing Early Music
160044 PR Principles of audio engineering - Pathology of the ear
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160060 PR Applied Music Production
160045 PR Microphone practice for musicologists
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
160011 VO Music History 1
160055 VO Viennese Music History 1600-1900
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160052 UE Orlando di Lasso: aspects and questions
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160057 SE Biographies of composers from four centuries in films and musicals
160029 SE Double respectively multiple talented artists
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160034 SE Mozart's operas and 'Singspiele'
160009 SE Politically motivated motets of the 15th & 16th century
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160006 PR Archival Studies and Biographical Sources of Viennese Music History
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
M02 APM 2
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160043 VO [en] African music in secret societies and initiation
160040 UE Transmission of the traditional japanese music
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
160057 SE Biographies of composers from four centuries in films and musicals
160039 VO [en] Music of Central Asia
M03 APM 3
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160048 UE Test theory and test construction for musicologists
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
M04 APM 4
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160009 SE Politically motivated motets of the 15th & 16th century
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160029 SE Double respectively multiple talented artists
160065 SE Sound and Movement
160057 SE Biographies of composers from four centuries in films and musicals
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M05 APM 5
2. Elective Modules (WM)
M06 WM History of European Music before 1600
160011 VO Music History 1
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160052 UE Orlando di Lasso: aspects and questions
160009 SE Politically motivated motets of the 15th & 16th century
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
M07 WM History of European Music after 1600
160055 VO Viennese Music History 1600-1900
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160029 SE Double respectively multiple talented artists
160034 SE Mozart's operas and 'Singspiele'
160057 SE Biographies of composers from four centuries in films and musicals
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160006 PR Archival Studies and Biographical Sources of Viennese Music History
M08 WM Ethnomusicology
160043 VO [en] African music in secret societies and initiation
160033 VO Afro-American music forms
160040 UE Transmission of the traditional japanese music
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
160039 VO [en] Music of Central Asia
M09 WM Systematic Musicology
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160048 UE Test theory and test construction for musicologists
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
M10 WM Contemporary Music
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M11 WM Popular Music
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
M12 WM Source Study, Source Work and Source Criticism
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160052 UE Orlando di Lasso: aspects and questions
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160056 PR Archive and library science
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M13 WM Music and Society
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160009 SE Politically motivated motets of the 15th & 16th century
160057 SE Biographies of composers from four centuries in films and musicals
160029 SE Double respectively multiple talented artists
M14 WM Analysis and Theoretical Interpretation of Music
160027 VO Music in medial Embracement and its Future
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160034 SE Mozart's operas and 'Singspiele'
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
M16 WM Current Musicology
160026 UE Current State of Musicology
M17 WM Applied Musicology
160049 UE Editing Early Music
160044 PR Principles of audio engineering - Pathology of the ear
160045 PR Microphone practice for musicologists
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160060 PR Applied Music Production
3. M18 Master Seminar Module
160067 MA Research Seminar for Master Candidates
160008 MA Research Seminar for Master Candidates
160020 MA Research Seminar for Master and Doctoral Candidates
160028 MA Research Seminar for Master and Doctoral Candidates
160030 MA Research Seminar for Master and Doctoral Candidates
160032 MA Research Seminar for Master and Doctoral Candidates
160031 MA Research Seminar for Master and Doctoral Candidates
D. Extension Curricula
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
160002 VO Survey in Historical Musicology
160011 VO Music History 1
160055 VO Viennese Music History 1600-1900
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
160002 VO Survey in Historical Musicology
160014 VO Principles of music after 1600
160055 VO Viennese Music History 1600-1900
CSP World Music
Required Module 1: Introduction to Ethnomusicology
160004 VO Orientation of Ethnomusicology
160066 VO Introduction to Ethnomusicology
Required Module 2: Survey of World Music
160023 VO Music of the World - Overview I
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160039 VO [en] Music of Central Asia
160043 VO [en] African music in secret societies and initiation
160066 VO Introduction to Ethnomusicology
EC Musical Acoustics and Auditory Perception (169)
Compulsory Module (EC Musical Acoustics and Auditory Perception)
160003 VO Overview of Systematic Musicology
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160047 VO Music and emotion
160048 UE Test theory and test construction for musicologists
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
EC Popular Music (660)
Compulsory Module (EC Popular Music)
160023 VO Music of the World - Overview I
160024 VO Introduction to Popular Music (Theories, approaches etc.)
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
160063 VO Mentoring - STEOP Musicology
Universität für Musik und darstellende Kunst Wien

Last modified: We 13.06.2018 00:40