230027 UE Theoretical Foundations ("Reading Classics of Sociology") (2017S)

4.00 ECTS (2.00 SWS), SPL 23 - Soziologie

Prüfungsimmanente Lehrveranstaltung

Moodle

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Anmeldung von Do 02.02.2017 10:00 bis Mi 22.02.2017 10:00
Anmeldung von Sa 25.02.2017 10:00 bis Mo 27.02.2017 10:00
Abmeldung bis Mo 20.03.2017 23:59

Details

max. 40 Teilnehmer*innen

Sprache: Englisch

Lehrende

Monica Titton

Termine (iCal) - nächster Termin ist mit N markiert

Anwesenheit bei Vorbesprechung am 3. März ist verpflichtend.

    
    Freitag
    03.03.
    16:45 - 18:15
    Inst. f. Soziologie, Seminarraum 3, Rooseveltplatz 2, 1.Stock
    (Vorbesprechung)
  
    Samstag
    25.03.
    10:00 - 15:45
    Inst. f. Soziologie, Seminarraum 1, Rooseveltplatz 2, 1.Stock
    
    Samstag
    29.04.
    10:00 - 15:45
    Inst. f. Soziologie, Seminarraum 1, Rooseveltplatz 2, 1.Stock
    
    Samstag
    20.05.
    10:00 - 15:45
    Inst. f. Soziologie, Seminarraum 1, Rooseveltplatz 2, 1.Stock
    
    Samstag
    24.06.
    10:00 - 15:45
    Inst. f. Soziologie, Seminarraum 3, Rooseveltplatz 2, 1.Stock

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

The course provides a foundation in core concepts of sociological theory in relation to cultural processes and in particular, artistic and cultural production processes. While the theoretical contributions of major sociological thinkers such as Benjamin, Adorno, Bourdieu, Hall and Becker are examined, they are situated within the context of current cultural and artistic debates and transformations in the arts and creative industries.
Our central questions will focus on how art and culture are conceptualised in sociological theory, how the roles of the artists and cultural intermediaries are defined and how society contributed to the appearance of certain art forms and forms of cultural expression.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Active student participation in class discussions and activities is absolutely essential for this class. Therefore, students are expected to attend every class meeting prepared to discuss the assigned reading. It is your responsibility to sign in every class, as attendance will be taken at the beginning of each meeting.

Mindestanforderungen und Beurteilungsmaßstab

To receive full attendance credit you are expected to:
• Attend every class meeting and to attend the entire class session
• Hold a group presentation
• Hand in literature notes
• Write a final essay at the end of the term (1,500 words)

Prüfungsstoff

Literatur

Benjamin, Walter, 1992 [1936]: The Work of Art in the Age of Mechanical Reproduction. From: Frascina, Francis; Harris, Jonathan (eds.), 1992: Art in Modern Culture: An Anthology of Critical Texts. New York: Harper Collins, p. 297-307.

Adorno, Theodor W. and Max Horkheimer, 2002 [1944]: The Culture Industry: Enlightenment as mass deception.
In: Dialectic of Enlightenment: Philosophical Fragments, Stanford: Stanford University Press, p. 94-136.

Bourdieu, Pierre, 2010 [1979]: The Aristocracy of Culture.
From: Distinction. A Social Critique of the Judgement of Taste. London/New York: Routledge, p. 3-55.

Bourdieu, Pierre, 1984 [1968]: Outline of a Sociological Theory of Art Perception.
From: The Field of Cultural Production. Essays on Art and Literature. Columbia University Press, p-. 215- 237.

Hebdige, Dick, 1998 [1979]: The Function of Subculture.
From: Duran, Simon (ed.), 1998: The Cultural Studies Reader. London/New York: Routledge, p. 441-461.

Clifford, James, 1998 [1988]: On Collecting Art and Culture.
From: Duran, Simon (ed.), 1998: The Cultural Studies Reader. London/New York: Routledge, p. 57-76.

Becker, Howard S., 1974: Art as Collective Action.
From: American Sociological Review, Vol. 39 (December 1974), p. 767-776.

Zuordnung im Vorlesungsverzeichnis

in 505: BA T1 UE Klassiker lesen

Letzte Änderung: Mo 07.09.2020 15:39